Jamaican-born, Melbourne-based actor Zahra Newman comes across as one very energetic young lady. At 24, she is just two years out of drama school and is already pegged as one of Australia’s rising acting talents. She has scored multiple roles in independent and mainstage productions, such as for Melbourne Theatre Company where she last year worked alongside theatre greats Geoffrey Rush and director Robyn Nevin. Not one to take success for granted, Zahra appreciates that an acting career is an uphill battle and not for the faint-hearted.
Zahra Newman rates surviving drama school as one of her greatest achievements and hopes to also count her next show, Random, as a big win. Written by British-Jamaican playwright Debbie Tucker Green, Random will show at the Brisbane Powerhouse from February 10–15 as part of the World Theatre Festival. It is a one-woman play featuring six characters, which means there’s literally no one for Zahra to hide behind on stage other than her split selves.
Zahra expects the role to be one of her greatest career challenges to date, so it’s fortunate, then, that the words of wisdom she lives by are: “It’s not supposed to be easy”. This attitude will help her carry the entire play, her first one-woman show. “If it’s hard, if it’s difficult or a challenge and you’re scared of it, then thank God you’re scared by something, thank God you’re not bored,” Zahra believes. “It’s very easy to let fear determine your pathway, but go with it. Admit, yes I’m scared, now let’s keep going.”
She scored the role thanks to Australian director Leticia Caceres who saw the play in London last year. At the time, Leticia was working with leading theatre companies in the UK after winning a British Council Realise Your Dream Award. Zahra recalls, “While in London Leticia contacted me and said, ‘I’ve found this play. It’s amazing. We have to do it. You’re the only person I know who can do it’.”
Zahra was the right fit, not only because of her savvy acting talent, but also because, like the writer, she speaks Creole as her native tongue. Zahra migrated from Jamaica to Brisbane in 2000 at age 14. After high school, she studied drama at University of Southern Queensland in Toowoomba before transferring to the Victorian College of Arts for her final year. “I guess I don’t know many other Jamaican actors walking around Australia,” Zahra laughs. “I haven’t met any Jamaican actors at all and I’ve been here for 10 years. Whereas half of London is Jamaican!”
Zahra connected with Debbie Tucker Green’s script from the first reading. “She’s written the play using Creole and I’d never really read a contemporary Western play with those influences in it so for me it was great. I thought: ‘Wow, people can watch this and they don’t have to be Caribbean or Jamaican; they can still appreciate it and understand it.’ … Also, the way she’s written it is very interesting. It’s almost like a beat poem. There’s quite a good rhythm to it.”
The musical element and splashes of humour help soften the play’s tragic content, which in a sharp 50 minutes follows a day in the life of a black family who are shocked to hear their teenage son has died in a random knife attack.
First produced in London in 2008, Random has received rave reviews for its fresh take on family grief and racial issues. The UK’s The Independent noted: “Debbie Tucker Green has a poet’s feel for rhythm, a keen ear for urban patois, and the knack of telling a story elliptically, with vivid flecks of detail.”
While the opportunity to act in Random landed directly in her lap, Zahra knows that the offer was an exception rather than the rule. If she were to give young actors advice she tries to live by it would be to be proactive. “I’d say be prepared to be hit really hard. There’s a lot of disappointment that goes with this career choice. Oh, I sound so bleak,” she laughs. “But you do have to mentally prepare and know what you want to do and have forward momentum because it’s only the very few lucky people who actually have people saying, ‘I want you for this’. It doesn’t really happen so you have to have a sense of turning the wheel yourself. Also you have to be willing to not just be an actor who is given a script but to be involved in every aspect of making theatre and the development of new works.”
Zahra says her greatest challenge is the stop-start nature of the industry where an intensive two-month role may be followed by six weeks of down time. To remain motivated, Zahra surrounds herself with work. “And living in Melbourne has a lot to do with staying motivated for me. There are so many things happening here all the time in different artistic forms … So I stay involved and I stay active in the community whether I’m involved in work or not.” With friends, Zahra will find exciting works and stage them in independent spaces.
She knew she wanted to be an actor when she was 16. “Before then I was going to be a lawyer because I thought it was a smart decision that made sense. You go, you do law, you get a job and you make money. But then I realised that I didn’t want to spend my life doing something that was comfortable but that I would never be happy in.” Zahra credits her move to Australia for giving her the opportunity to choose acting as a professional career. “I wouldn’t have been able to be an actor in Jamaica; it just wouldn’t have happened.”
Interview by Frances Frangenheim









